Art has long been a powerful medium to express identity, culture, and philosophy. At VAST Bhutan in Thimphu, about a month-long solo exhibition is inviting audiences to reflect on life, choice, and clarity through a unique interpretation of Dzongkha calligraphy.
The exhibition, Boundless Strokes, is a contemporary version of Druk-Yig, consisting of Tshugyig and Jogyig, one that goes beyond language and enters the realm of philosophy.
Each artwork is created using a dry-brush technique, where every stroke is deliberate and final. There are no corrections. No second chances.
The artist said that this mirrors life itself, where every decision shapes the path forward.
Calligrapher Karma Jurmi said, “I believe that our life, we take it for granted. But then, it’s just once; there is no rewind and replays, and that’s how I interpret my strokes, which are one stroke in all the artworks ”
The exhibition uses a black-and-white palette, symbolising clarity and truth in a world often filled with uncertainty.
Subtle touches of gold appear across the pieces, representing what the artist calls the “divine spark,” a connection between the finite and the infinite.
Karma Jurmi said, “Our life can be a yes or no, black or white, without grey areas. That’s what I’m trying to portray. But in the process, I have realised that there are certain invisible forces or energies that come into play, be it a divine intervention. With those spontaneous, occasional gold strokes, I try to portray those occasional divine forces.”
Presented as part of the Lungta Art Festival 2026, Boundless Strokes is the festival’s second solo exhibition.
It will be open to the public till the end of the month.
Kelzang Chhophyel
